This photo I took at the High Line showcases Ongrowth by Kapwani Kiwanga. I was attracted by its geometric structure, especially how the glass interacted with light. Based on the angle I viewed it from, the glass would change colors and these vibrant colors strongly contrasted the artwork with the greenery around it. Inside the glass case, there’s a fern enclosed, which seems to emphasize how industrialization has woven itself into nature and become part of the environment. It shows how humans have worked to co-exist with nature and advance our society. Ongrowth can also symbolize the connection between the city and the elevated freight rail line. The glass case – which can be thought of as a skyscraper – represents the industrial urban environment while the fern inside illustrates the High Line as a reclaimed nature space for the public. Despite the bustling city life, the High Line serves as a spot where people can relax and enjoy nature while still in the city. On a deeper level, I feel like this piece of art allows us to reflect on our own relationship (as the fern) and the role we play in shaping the environment around us.

The High Line was once an abandoned rail line to be demolished. But today, it has become one of New York’s most iconic public spaces, attracting millions of visitors every year. It’s really fascinating to see how a space that was once forgotten has transformed into a beautiful urban park that integrates nature and art. After visiting the High Line, I’ve realized how valuable green spaces are, especially in industrialized cities like New York. The High Line redefines the relationship between urban development and public art by combining both elements into the park’s design. While walking along the trail, people are surrounded by greenery and public art integrated into the surroundings. The temporary art exhibitions at the High Line also encourage people to revisit the park at different times to discover new pieces of art. Furthermore, the park is elevated above street level which offers people a view of the city from a fresh perspective, while being surrounded by greenery and beautiful gardens. This ties back to Kapwani Kiwanga’s Ungrowth, which I discussed earlier. Mankind has learned how to co-exist with nature in urban environments, creating spaces that can bring happiness and fulfillment. Through the High Line’s unique design, it can be seen how industrial spaces can be repurposed into green spaces and serve as peaceful retreats.